Nikon ZR: A New Video-Focused Camera

Nikon has introduced the ZR, a camera designed primarily for video creators. It carries a 24.5MP full-frame sensor, similar to the one in the Z6III, but adapted with features that filmmakers will find useful. Among its highlights are a brand-new Raw video codec, an interface tailored for video shooting, and internal 32-bit float audio recording, making it the first mirrorless camera with this feature.

Key Specifications

• 24.5MP full-frame CMOS sensor
• Nikon Z-mount
• 7.5EV in-body stabilization (IBIS)
• Up to 6K 60p recording
• New R3D (NE) Raw video codec
• 4″ display (3.07M dots, 1280×800) with 1000 nits brightness
• CFexpress Type B / microSD slots
• Autofocus detection for humans, animals, vehicles, and aircraft
• Internal 32-bit float audio
• No mechanical shutter
• Price: $2199 (available October 20)

What’s New?

Familiar Sensor, Fresh Design

Although it shares the same sensor as the Z6III, the ZR looks very different. The body is compact and boxy, with no electronic viewfinder, which makes it easier to balance on gimbals. On the back, there’s a large 4-inch display with a 16:10 aspect ratio, 1280×800 resolution, and 1000-nit brightness. It also supports the P3 color gamut for more accurate previews beyond standard sRGB.

R3D (NE) Codec

The standout feature is the new R3D (NE) Raw codec, in addition to Nikon’s N-Raw and ProRes Raw. While not identical to other high-end cinema formats, it’s designed to be fully compatible in editing workflows, including the use of existing LUTs (Look-Up Tables).

With this codec, the ZR can capture:

• 6K and DCI 4K up to 60p
• UHD 4K up to 120p

Initially, the footage must be processed in specialized software before editing, but wider software support is expected soon.

Cine EI Mode

The R3D format uses a professional-style Cine EI (Exposure Index) workflow. Instead of applying ISO directly in-camera, it records two base sensitivity levels (ISO 800 and 6400) and keeps ISO changes as metadata. This allows more precise adjustment of brightness and dynamic range during editing, similar to how Sony’s cinema cameras operate.

32-Bit Float Audio

The ZR is the first mirrorless model with internal 32-bit float recording. This technology captures audio with extremely high dynamic range, removing the need to constantly adjust gain. It works both with the built-in microphone (featuring Nokia’s OZO directional tech) and through the 3.5mm input jack.

Digital Hotshoe

Besides the standard mic input, the camera also has a digital hotshoe that supports future audio accessories, including compact mics and XLR adapters. Compatibility with third-party devices remains uncertain.

How It Compares

The ZR clearly targets filmmakers who might otherwise consider Sony’s FX lineup or Canon’s cinema cameras. Unlike Canon’s actively-cooled C50, the ZR is fanless and handheld, but still offers 6K Raw capture, digital audio, and advanced autofocus at a much lower price point. It also undercuts Sony’s FX2 and FX3 in price while offering a sensor more optimized for video.

Body and Handling

Nikon ZR: A New Video-Focused Camera

The body is lightweight yet durable, made of reinforced plastic. It’s compact enough for gimbal use, but it doesn’t have active cooling, so extended recording might require careful management.

Ports and Storage

Connectivity includes USB-C (3.2), headphone and mic jacks, and a micro HDMI port (not full-size). Storage options are somewhat unusual: one CFexpress Type B slot and one microSD slot, which is too slow for most video formats and mainly useful for settings, LUTs, or stills.

Battery

The ZR uses the same EN-EL15c battery as the Z6III, expected to deliver similar endurance: about 100 minutes of video recording or nearly 400 still shots.

Video Options

In addition to Raw, the ZR supports 10-bit Log recording and multiple compressed formats: ProRes 422, H.265, and H.264. However, shooting at 4K/120 requires a crop to Super35/APS-C.

Shutter Angle Control

Another professional feature is shutter angle setting, which automatically adjusts exposure time when changing frame rates. This prevents errors like shooting at the wrong shutter speed when switching between 24p, 30p, or 60p.

Conclusion

The Nikon ZR is essentially a video-optimized sibling of the Z6III. It drops the viewfinder and mechanical shutter but gains advanced Raw options, professional audio features, and a lower price. For filmmakers seeking high-quality footage without breaking the bank, the ZR looks like a strong and competitive choice.